![]() ![]() If you spent many hours building a house with a tape measure that was three inches short, it would be expensive to correct. The risk is your monitor might be skewed or aged from a color standpoint. That variation doesn't mean the mastering engineer does a slipshod job. Others may be using Wilson Audio speakers that cost $700k in an acoustically-engineered room. ![]() Some people may listen to the music on a cheap car radio with windows open. But that's not the goal of color calibration of the editing monitor. Some may be using a 15-yr-old CRT monitor others may be viewing it on a smart phone. There is no way to give all viewers the same experience. You can't control the thousands of different viewing methods and environments of your material. The problem is without calibration to a standardized yardstick via a colorimeter, you never know if all the hours you spend on color correction are valid. honestly there are so many variables on how people view things, you'd have to have 10 million different calibrations!
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